Having the right Chiptune VST plugins can be of huge help when you're making chiptune!

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In case you’re searching for free Vst Plugins which can help you to make music with, you won’t locate a superior list than this one anyplace! Surge used to be a premium synth, but not too long ago, Vember made it open source. The interface looks a little dated, but don’t let that fool you. This is still a really powerful synth with enough features to keep you content for years. It’s a hybrid synth allowing subtractive synthesis as well as wavetable and FM. Whenever I want organic sounds full of depth and especially movement, I have the Form VST synth as one of my top choices. It is very focused on movement and modulation. Simply click a parameter to assign it to a movement source, which can be one of the LFO’s, envelopes, the motion engine, or even CC input. Jul 15, 2020 - Collection of (free) software synths and plugins for your DAW. See more ideas about Plugins, Audio, Synth. If there is one free VST synth that you want to get yourself familiar with, it is the Synth1 by Ichiro Toda. This synthesizer is actually a favorite among many music producers, and is often the one that’s most recommended. Synth1 is an analog modeled subtractive synthesizer. It’s functions are modeled on the Clavia Nord Lead 2 Red Synth.

However, finding the Chiptune VST best suited for you and your needs can sometimes be a tough task..
The internet is full of information, and, while that’s a good thing, it can also be a little overwhelming when you try to find an amazing chiptune VST.
What you’ll soon realize in this search is that there are many factors to consider.
What starts off as a simple task can turn into one that stretches for days or even weeks.
So, to save you from sorting through them all, we’ve crafted a list of the top 10 Chiptune VST plugins to help you find the perfect one for you.
But before we get into it, what exactly makes a VST ‘the right’ one?

Features To Consider

In this modern day and age, computers are much faster than ever before, but processing power continues to be an issue.
One important thing to consider before purchasing or committing to any VST is what the processing power needs are. Can your computer handle the software that you’re using?
If yes, great! But if it can’t, no worries! You may instead want to look for a more lightweight VST that can do as good of a job as a heavier one.
Aside from processing power requirements, simplicity is another important factor when choosing a great VST to suit your needs.
Do you want to hit the ground running and make chiptune music right away? Or do you prefer to get neck deep in the settings and customize each and every last detail of your sound design process?
Some VSTs will be simple enough to allow you to ‘plug n play,’ whereas others will require a lot more education on your part in order to master chiptune sound design.
When factoring in simplicity, it’s also important to consider the user interface (known as UI). Simple VSTs often have an easy-to-use interface, while the more complex VSTs might be a lot harder to grasp.
This is crucial to keep in mind, because UI can affect creativity, which is extremely important to music production. This is because creativity is influenced by everything you hear, feel, do, or see (UI). So, if you don’t like how your VST looks, it could slow down your efficiency when producing chiptune music.
Lastly, emulation specificity is another big feature to consider. Chiptune music originally was created from gaming systems, such as the NES or Gameboy, with each of those systems producing different types of sounds.
With that in mind, chiptune VST plugins have been created with the capacity to emulate sounds created by certain systems. Knowing what type of sound you want to create will greatly speed up the VST selection process and ensure you use something that you’re happy with.
With these features in mind, let’s get started.

Option 01: Magical 8Bit Chiptune VST

Main Features:

• 5 waveforms - square, 2x pulse, pseudo-triangle, low-res noise

• ASDR envelope settings

• Pitch bend

• Velocity control

• Frequency sweeping

• 32 Voices

Note: For full specifications and download, visit YMCK.
Are you a fan of old, primitive 8 bit game consoles?
If you are, then the Magical 8bit Plug may be the perfect VST for you to make some old school electronic music!
This is because this VST allows for use of the pseudo-triangle or low-resolution noise, which are key when creating 8 bit or chiptune music.
Another important feature about the Magical 8bit Plug is that it focuses on simplicity, which makes creating great chiptune sounds quick and easy.
To top it off, the Magical 8bit Plug is lightweight and will work on both macOS as an audio unit and on Windows as a VSTi.
If you want to see what this VST can do for yourself, check out this awesome animated Youtube video featuring music made by Magical 8bit Plug. It’s set to what appears to be an old school video game.

Option 02: Chipsounds

Main features:

• Hybrid synth/sampling synthesizer

• Control/Modulation/Effects/Mixer tabs

• Arpeggiator

• Wave Sequencer

• Pitch and Amplitude Modulation

• Emulates 15 vintage 8-bit era sound chips

Note: For full specifications and download, visit Plogue.
Looking for something a little more robust than Magical 8bit Plug? Then Chipsounds may be the VST for you.
Chipsounds is one of the more popular chiptune VST plugins this year, and we can definitely see why.
The first reason is because it gives you a lot of control over your sound design process, which is huge when trying to set yourself apart from other producers.
Another cool feature is that Chipsounds can run on both Windows and macOS as a standalone application.
Additionally, it can also run as a VST, AU, RTAS, or AAX plug-in allowing for flexible usage with different systems.
To see this VST in action, check out Plogue’s introductory Chipsounds video.

Option 03: ymVST

Main features:

• Polyphony support

• 3 step arpeggiated chords

• Knobless UI

• Angel sync-buzzer effects

• SID effect

Note: For full specifications and download, visit preromanbritain.
If you’re a fan of the authentic Atari sound, then ymVST is a blast to the past…almost.
To the casual observer, the UI may look complicated. But it was actually made to replicate a traditional non-software music production setting with a more ‘authentic interface.’
This means there’s no knobs or sliders. Yet it also comes with all of the great chiptune quality sounds that can be made by the other more complex VSTs available on the internet today.
So, if you’re used to a more traditional method of chiptune production, ymVST may be right up your alley.
Unfortunately for Mac owners, ymVST is only available for PC users.

Option 04: basic 65

Main features:

• Monophonic synth

• Double arpeggiator

• Mod envelope

• (2) LFOs

• (3) Oscillators

Note: For full specifications and download, visit vst4free.
Inspired by the Commodore 64, basic 65 is a monophonic synth which takes the legendary SID chip from its hardware predecessor and adds more features to ‘take a step further’.
With a clean interface, this VST should be relatively quick to pick up and allow you to get started programming in your favorite chiptune sounds with ease.
Making it even simpler, there are over 128 presets available for you to choose from.
And with the basic 65 being an update to the already popular basic 64, you’ll know that you’re using a VST that has had a lot of prior problems solved.
However, similar to ymVST, the basic 65 is only available for use on Windows which makes that one key detraction in a production world heavily Mac reliant.

Option 05: Super Audio Cart

Main features:

• 5,500+ samples

• 1,200+ factory snapshots

• ‘Hold’ arp steps

• Modulate cutoff & pan with each step

• Use arp steps to modulate other parameters

• Free SNESVerb plugin

Note: For full specifications and download, visit impactsoundworks.
Super Audio Cart provides a revitalized take on an old-school chiptune production scene.
The interface looks modern which makes it similar to other software on the market today such as Omnisphere or iZotope Ozone. In other words, it’s easy to plug n play!
When purchasing, you’ll be capable of replicating sounds from the NES, FC, SNES, GB, 2600, C64, SMS, and GEN console systems. Add in the fact that you’ll receive over 6,000 samples and 630 unique sound sources and that makes purchasing the Super Audio Cart even more appealing.
However, it’s currently priced at $149 through impactsoundworksand also requires Kontakt to run, which can be a problem if you’re on a budget.
Not sure if this is right for you? Take a listen to some chiptune created by Super Audio Cart here to get an understanding of its capabilities.

Option 06: Retro Boy

Main features:

• Subtractive emulator

• Single oscillator

• Vibrato & decimation effects

• Polyphony: 1-4

Note: For full specifications and download, visit sbaud.
As you may be able to tell from the specs, Retro Boy brings you back to the past. For example, it’s extremely lightweight on the processor with only a single oscillator.
It’s a classic, subtractive chiptune VST synth with seven waveforms - 12.5% pulse, 25% pulse, square, saw, triangle, sine, and noise.
Because of its simplicity, most computers should be able to run Retro Boy easily enough making that one of the key highlights of this VST.
And although you could probably figure out Retro Boy’s capabilities quickly enough yourself…
You can also check out a demo before downloading by clicking here!

Option 07: ICECREAM

Main features:

• Dual oscillators

• 4 Octaves per oscillator

• Amp/Filter ASDR

• Harmonics switch

• Glide and glide rate

Note: For full specifications and download, visit vstplanet.
Are you thinking what we’re thinking? If you are, you’ll understand how cool (pun intended) this VST looks.
It comes with a pretty standard set of features: two oscillators with volume and octave controls, filters, a sequencer, and EQ.
However, what makes this VST stand out is the colorful interface.The playfulness of this interface and color scheme will definitely take you back to the days of playing Super Nintendo as a child.
And even if you haven’t touched a Super Nintendo, you’ll still feel like a kid playing the newest gaming system.
This might jumpstart your creativity and bring your chiptune music to the next level.
To take a listen to all of the creative possibilities that can come about from using the ICECREAM VST, check out this Youtube video.

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Option 08: Nintendo VST

Main features:

• Simple UI

• Nintendo emulation

• Portamento

• Pitch bend

Note: For full specifications and download, visit mattmontag
If you want to create chiptune music in the vein of Nintendo using something simple, Nintendo VST may be what’s right for you.
Created by Matthew Montag, the Nintendo VST is lightweight and can quickly be picked up by anyone.
That’s because the volume, duty cycle, pitch, and fine pitch adjustments are easily made with a max of three knobs for each setting (LFO steps, loop point, step time, and tempo sync).
And if you want to understand how the Nintendo VST works, Matthew has you covered! He’s meticulously detailed much of his VST development process on his website.
To see how the Nintendo VST was created, click here.

Option 09: AdLibXRom

Main features:

• Replicates Adlib Music Synthesizer Card

• Two oscillators

• 40 Multi-sampled sounds

Have you ever heard of the AdLib soundcard? If you have, you may find yourself in love with this VST.
The AdLibXRom replicates the sound of the AdLib Music Synthesizer Card which was famous in the early nineties.
Featured within the soundcard was the YM3812 synthesizer chip which utilized FM and additive synthesis.
Today, the AdLibXRom brings things back with the option of using the main or noise oscillator.
Additionally, it features over 40 multi-sampled sounds making usage even more interesting.
Note: For full specifications and download, visit samplescience.

Option 10: 38911 Bytes

Main features:

• Single oscillator

• 4 Waveforms

• 3 LFOs

• 4x16 Step sequencers

To any producer not familiar with Chiptune production, this VST may look a little confusing.
However, if you’ve been around the Chiptune production scene, this may just make you feel at home.
The interface was designed to provide an old-school feel.
There is only a single oscillator, but it does come with multiple waveforms such as Saw, Triangle, Pulse, and Pitched Noise.
Another highlight is the 4x16 step sequencers which also come with 11 different BPM rates.
Has the visual design of 38911 Bytes caught your attention? If so, we’d recommend that you learn more here!

Conclusion

Finding the best chiptune VST to suit your needs depends on your situation and what you’re looking for.
We’ve highlighted some of the best chiptune VST plugins that we think you’ll find particularly useful, each with its own unique characteristics and features.
To reiterate, here are some of the most important features to be aware of when choosing the best chiptune VST for your music production needs:

• Processing power requirements

• Simplicity

• UI (User Interface)

• Emulation specificity

We’ve compiled some amazing VSTs for you to try out and now we want to hear your thoughts!
Have you had any experience using any of these chiptune VST plugins?
Are there any others that we should have mentioned or replaced?
Let us know in the comment section below!

Article Content

It’s been a while since I surveyed the market for free software synths, so I thought I’d give it go and see what’s new and what has stood the test of time. Some of these instruments were released as prototypes or were the early experiments of developers just entering the market.

Free stuff is not always actually free. Often you will follow a link only to find out that it’s a free “demo”. Aren’t all demos supposed to be free?? In other cases, free software is dangled like a carrot in order to get your email address or to entice you into buying other products, preset libraries, add-ons, etc.

Well, business is business, and I suppose everyone needs to make a buck. I really don’t mind spending a few dollars for some shareware now and again to support a budding developer. But it behooves even the most experienced consumer to proceed with caution when the word free is thrown around.

What follows are some awesome sounding instruments in no particular order that are indeed free with very few strings attached. And if you can stomach a little extra spam, some of these may prove valuable additions to your stockpile of synths.

1. TyrellN6 by u-he

• Virtual analog with classic architecture, plus extras.
• Two oscillators, noise, ring modulator.
• Two LFOs with eight waveforms that are host-syncable.
• Audio source mixer with authentic overdrive and filter feedback.
• Twin filter related to Diva (early model).
• Unison with up to eight voices.
• Analog-type ADSR envelopes, loopable or LFO-triggered.
• Small modulation matrix with depth modulation from a second source.
• Chorus effect with three modes.
• MIDI learn / unlearn for hardware control.
• Resizable UI from 70% to 200%.
• Skinnable UI.
• Over 580 factory presets.

This thing is responsive as hell and sounds sweet! I love the stained and grungy aesthetic of the interface. It’s really hard to believe it’s free. But it serves its purpose I suppose because it truly whets the appetite for more stuff from u-he.

2. Dexed

Dexed is an emulation of the classic FM synth: Yamaha DX7.

From the Github page:

“Dexed is a multi-platform, multi-format plugin synth that is closely modeled on the Yamaha DX7. Dexed is also a midi cartridge librarian/manager for the DX7. Do not expect this to be a perfect clone of a DX7 since this will take years in the open source world and multiple collaborators before getting there … Since Dexed is modeled on the DX7, the Yamaha DX7 Operating Manual can be used as a reference documentation.”

The interface is a little cluttered and is more functional than it is aesthetically pleasing, but there are a ton of sonic possibilities with this for those willing to dig in.

3. MiniSpillage

“MiniSpillage is a free professional quality drum synthesizer plugin featuring high-resolution 64-bit DSP processing.
MiniSpillage includes three exclusive drum synthesis algorithms along with distortion effects and resonant filters.”

• Bass Drum – Single oscillator bass drum synth with pitch sweep, internal FM and harmonic controls.
• Wood Drum – Flexible wooden drum model synthesizes natural and synthetic timbres from log drums to toms.
• Hi-Hat – Six oscillators closed and open hi-hat generator with a noise source and dual resonant filters.

This is a great free option for those that want to create their own drum sounds with modulation, filtering and distortion effects.

4. Crystal Synth by Green Oak

This is one is a bit frustrating and takes a while to get anything remotely usable. The interface is on the clunky side. But a little patience can be rewarding.

5. Lokomotiv

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Lokomotiv is an analog retro synthesizer that is impressive from the first launch. Its austere interface is surprisingly responsive and sounds immediately great.

Oscillator:

• Mathematically generated high definition Oscillator without using wavetable or interpolation.
• Silky smooth 9X detuned sawtooth wave.
• Pulse wave with self PWM.
• Shape morphing sub-oscillator.

Filter:

• MG ladder modeling multimode filter featuring Zero Delay Feedback technology.
• Routable filter Drive (Pre/Post).

Modulator:

• Natural Curved ADSR Envelope generator.
• One-shot LFO which can be used as envelope.

Specification:

• 1X OSC (Saw+ Pulse) + One Sub OSC, Noise Generator.
• 1X multimode Filter with Drive.
• 1X LFO, 1X Envelope Generator.
• Eight polyphonic voices, Mono and Legato mode supported.
• 64 Factory presets included.
• Native 64-bit, Mac and Windows OS supported.

6. Digits from Extent of the Jam

This one sports a subdued color palette with beefy growls, preset chords and brass sounds. A bit of crackling when parameters are modified, but worth the time to download for sure.

7. Spitfire Audio – LABS

Not long ago, Spitfire Audio released an ongoing series of completely free instruments called LABS. These are very, very simple sampled instruments with just a handful of controls and they sound really, really good. So far the collection includes:

• Charango
• Electric Piano
• Amplified Electric Cello Quartet
• Drums
• Strings
• Soft Piano

If you’ve used any of the Spitfire Sample Libraries before, you know how well they’re recorded, and these instruments are no exception. While you won’t get the flexibility or deep sampled variety of a full-scale library, you will get a great sound that can be slightly varied to taste. While these are sampled instruments as opposed to synths, they’re free and so good that I felt they warranted inclusion. Free amplesound acoustic guitar vst.

8. TAL NoiseMaker

This is one my of favorite choices. The interface is accessible, clean and to the point and thick, beefy sounds are possible from the get-go. Really nice!

Free fft waterfall vst. From the developer: “TAL NoiseMaker is an improved version of TAL-Elek7ro and has a completely new synth engine and a lot of improvements in sound and usability. The synth also includes a small effect section with a reverb, chorus and a simple bit crusher effect. A display shows the knob and slider values. This allows more control over the synth. A ring modulator and a syncable triangle are also part of this synth.”

TAL NoiseMaker includes new filter types and the self-resonating 6 dB low pass and notch filter. Its improved amplitude ADSR is very suitable for slow pads and for really fast envelopes. 128 factory presets included, 80 made by Frank “Xenox” Neumann.

Features:

• Three Oscillators. Osc 1, +/- 24 semitones, fine tune, phase control (saw, pulse, noise). Osc 2, +/- 24 semitones, fine tune, phase control (saw, rectangle, triangle, sine). Sub Osc (rectangle).
• Osc 1 PM for pulse waveform.
• Osc 2 FM controlled by Osc 1.
• Osc 1 & Osc 2 sync to sub osc (saw, pulse, rectangle, triangle (bipolar sync)).
• Adjustable master tune and transpose.
• Up to six voices.
• Portamento in mono and poly mode (off, auto, on).
• Ringmod modulates Osc 1 with Osc 2.
• Self resonating 4x oversampled filters (24 dB LP, 18 dB LP, 12 dB LP, 6 dB LP, 12 dB HP, 12 dB BP, Notch).
• Filter ADSR (negative and positive).
• Volume ADSR
• Routable ADSR, modulates Filter, Osc 1, Osc 2, PW, FM (negative and positive)
• Two LFO’s with different running modes: free, sync to host, triggered by note. Modulates filter, Osc 1, Osc 2, FM, PW, LFO rate, Panorama and Volume. Sine, Triangle, Saw Square, S&H, Noise. Positive and Negative modulation. Phase control.
• Adjustable Velocity-dependent control over volume filter contour and cutoff.
• Adjustable Pitch Wheel control over Cutoff and Pitch.
• One pole HP filter.
• Detune, detunes notes randomly.
• Juno chorus with different modes.
• A built-in reverb and delay.
• Adjustable filter drive.
• Bitcrusher affects Osc 1 and Osc 2. It’s a pre-filter stage effect.
• MIDI Learn for all knobs.
• Panic button.
• Easy to use, no hidden panels.
• 256 great presets (Presets by Frank “Xenox” Neumann, The Unshushable Coktor, Alexandra Sendy, TAL, Patrick Kunz).

9. Thump by Metric Halo

Thump is a unique audio processor that allows you to synthesize low-frequency audio to add low end to a track or generate another sound entirely. Thump looks at the pitch and dynamics of its audio input and uses this information to control its oscillators. You can add low end to drums, augment a bass or even create synthetic drones.

Thump is ideal for beefing up a kick drum, adding low end to percussive tracks, recreating classic drum synth sounds and more. You can use Thump’s envelope driven, percussive sub-harmonic synth for the following things (among others):

• Build low-octave support for bass drum, tom, snare and other percussive tracks.
• Create kettle drum sounds from regular drum tracks.
• Recreate the sounds of classic drum synths like the TR-808.

The effect of Thump is similar to generating a sine wave or other waveform on a gated track that is side-chained to a transient on another track such as a kick. But Thump allows more control, two oscillators that can be changed on the fly and more pitch specific envelope control. If you like kicks that are thick as hell and challenge the range of human hearing, you will like Thump a lot.

NOTE: the instrument requires a transient input to be activated so you would use it like an insert rather than a standalone synth.

10. Synth 1 by Daichi Laboratory

While the interface is a bit nasty and pixelated, Synth 1 by Ichiro Toda is modeled after the Nord Lead 2 Red Synth and sounds decent. It doesn’t take long to get a few usable sounds and the onboard arpeggiator is great for experimenting. (Manual)

11. PG-8X by Martin Lüder

“The PG-8X is a virtual synthesizer, inspired by the Roland JX-8P with the PG-800 programmer. The synth architecture is a standard 2-oscillator -> Filter -> VCA design. These elements can be modulated by a common LFO and one of two envelopes. The PG-8X is patch compatible with the JX-8P and can read and write JX-8P Sysex data”. (Manual)

Conclusion

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While these instruments may not be the best things in life — they are free. And it has been my experience that there is something to be learned from every piece of software, as there is from all types of music. Experimentation and exploration yield untold rewards for the adventurous, and freeware is a great place to start your journey or a means to unshackle yourself, at least temporarily, from the financial constraints that plague us all.

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Check out my other articles, reviews, interviews and my video tutorial series, Synthesis 101 available exclusively on The Pro Audio Files.

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